Animal Collective has never been known for their accessibility, a curious point considering their influence in indie rock during the 2000s. Despite their popularity, the quartet has always embraced a unique and unconventional sound, characterized by bursts of noise and abstract vocal techniques that kept listeners at a distance even as they attracted new fans. After the groundbreaking 2009 album *Merriweather Post Pavilion*, the band ventured further into experimental territory with albums like *Centipede Hz* and *Painting With*, which pushed their eccentricity to new levels. However, their latest release, *Time Skiffs*, brings a surprising shift with its inviting and lush grooves.

In contrast to their more challenging recent works, *Time Skiffs* is the first album since 2016’s *Panda Bear Meets the Grim Reaper* that could potentially attract new listeners. It recalls some of their earlier, spikier work, particularly in its use of twinkling keyboards and deep reverb, reminiscent of their 2000 release *Spirit They’ve Gone, Spirit They’ve Vanished*. Yet, *Time Skiffs* offers a more laid-back vibe with influences from The Beach Boys and hints of the swampy rock from 2005’s *Feels*. The album’s sound is smooth and relaxed, marked by harmonious vocals and a sense of camaraderie among the band members, a stark contrast to their previous, more tense works. The album’s lyrics, though still enigmatic, lean towards introspection and the nostalgia of togetherness, while the band’s vocal performances are more polished than ever. Particularly notable is Josh “Deakin” Gibb’s performance on the closing track “Royal and Desire,” where his mid-range tone shines alongside a striking saxophone line. In *Time Skiffs*, Animal Collective skillfully navigates their own musical history while integrating seamlessly into the current indie scene, highlighting their ability to evolve while retaining their distinctive charm.