In 2024, Beyoncé’s anticipated country album *Cowboy Carter* was expected to redefine the genre, but it has struggled, falling to #50 despite early acclaim. Instead, Shaboozey’s “A Song Bar (Tipsy)” has emerged as the song of the summer, showing a resonance and stickiness that *Cowboy Carter* lacked. Although neither album fully embodies traditional country, Shaboozey’s release *Where I’ve Been Isn’t Where I’m Going* offers a bit more authenticity and depth, showing surprising moments of genuine emotion amidst its pop-tinged sound.

Shaboozey’s album, while not a paragon of country music, has garnered attention with tracks like “East of the Massanutten,” which contrasts starkly with the more electronic and Auto-Tune-heavy tracks like “Highway” and “Let It Burn.” Despite its superficial engagement with country elements and a reliance on a committee of producers and songwriters, Shaboozey manages to capture some unexpected depth, though it remains far from traditional country. His approach reflects a broader trend of pop and hip-hop artists integrating country aesthetics into their music. Ultimately, Shaboozey’s *Where I’ve Been Isn’t Where I’m Going* underscores a broader issue with genre blending in popular music. While the album showcases some genuine moments of creativity, it also exemplifies the shallow engagement with country music that characterizes many cross-genre projects. The album’s superficial approach to country music highlights a troubling trend where genre blending often results in a diluted version of the original, appealing more to pop fans than to true country enthusiasts.