Since its inception over a decade ago, the Weeknd has been known for his high-concept artistry, initially cloaked in mystery and reverb. Abel Tesfaye’s evolution from cult favorite to global superstar saw his music become more accessible, with collaborations from Daft Punk and Max Martin refining his self-loathing lyrics and versatile voice into catchy, danceable pop. His journey reached a peak with a headlining Super Bowl performance in 2021, celebrating hits like “Blinding Lights” and reflecting on his past with a nod to his debut mixtape, 2011’s House of Balloons. Now, with his latest album, Dawn FM, the Weeknd explores new musical terrain.

Dawn FM, styled as a radio broadcast just before dawn, merges the Weeknd’s signature synth-driven electro-R&B with influences from New Wave, freestyle, and soft-synth rock. The album features contributions from pop icons like Quincy Jones and Brian Wilson, along with his usual collaborators. Jim Carrey serves as the album’s narrator and DJ, guiding listeners through existential interludes. The Weeknd’s voice adapts to various styles, from early ’80s diction on “Gasoline” to lush ’80s-inspired ballads like “Here We Go… Again,” while tracks like “Out of Time” and “Starry Eyes” highlight his ability to craft compelling pop songs.

While the title Dawn FM suggests an exploration of light following darkness, the album’s lyrical themes often dwell on modern romance and self-reflection. Despite this, the evocative soundscapes and star-studded production keep listeners engaged. The album captures the Weeknd grappling with his desires and insecurities in a late-night drive through his thoughts, ultimately delivering moments of brilliance that offer a glimmer of hope amidst the gloom of 2022.